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Gerard Donegan [Wexford]
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The Lake House in Late October, Watercolour & Ink on Paper, 42cm x 29.7 cm by Gerard Donegan
The Lake House in Late October, Watercolour & Ink on Paper, 42cm x 29.7 cm
Loosen Your darkness, Watercolour & Ink on Paper, 56cm x 38 cm by Gerard Donegan
Loosen Your darkness, Watercolour & Ink on Paper, 56cm x 38 cm
Rebecca's Orchard Romance, Watercolour & Ink on Paper, 29.7 cm x 42cm by Gerard Donegan
Rebecca's Orchard Romance, Watercolour & Ink on Paper, 29.7 cm x 42cm
Oddly Shaped Zeroes, A Family Portrait, Watercolour & Ink on Paper, 42cm x 29.7 cm by Gerard Donegan
Oddly Shaped Zeroes, A Family Portrait, Watercolour & Ink on Paper, 42cm x 29.7 cm
Man & Woman fig.II, Watercolour & Ink on Paper, 29.7 cm x 42cm by Gerard Donegan
Man & Woman fig.II, Watercolour & Ink on Paper, 29.7 cm x 42cm
Lime Friction, Watercolour & Ink on Paper, 42cm x 29.7 cm by Gerard Donegan
Lime Friction, Watercolour & Ink on Paper, 42cm x 29.7 cm
Jasmine's Garden in July, Watercolour & Ink on Paper, 29.7 cm x 42cm by Gerard Donegan
Jasmine's Garden in July, Watercolour & Ink on Paper, 29.7 cm x 42cm
He'd Love to Fly, Watercolour & Ink on Paper, 29.7 cm x 42cm by Gerard Donegan
He'd Love to Fly, Watercolour & Ink on Paper, 29.7 cm x 42cm
Ethan Sees an Elephant, Watercolour & Ink on Paper, 42cm x 29.7 cm by Gerard Donegan
Ethan Sees an Elephant, Watercolour & Ink on Paper, 42cm x 29.7 cm
Drinking Stolen Things, Watercolour & Ink on Paper, 29.7 cm x 42cm by Gerard Donegan
Drinking Stolen Things, Watercolour & Ink on Paper, 29.7 cm x 42cm
A Dark Machine Looms, Watercolour & Ink on Paper, 42cm x 29.7 cm by Gerard Donegan
A Dark Machine Looms, Watercolour & Ink on Paper, 42cm x 29.7 cm
Hearts Bending Backwards (Barcelona), Watercolour & Ink on Paper, 29.7 cm x 42cm by Gerard Donegan
Hearts Bending Backwards (Barcelona), Watercolour & Ink on Paper, 29.7 cm x 42cm


© copyright Gerard Donegan & NewIrishArt.com

About Artist Gerard Donegan
  1. Living in North County Wexford, the work is currently an exploration between the lucent and the opaque, keeping the method of painting as organic as possible, allowing the paint the freedom to form shapes and lines which are natural and unaffected and creating pieces which reflect relationships between nature and manipulation.
  2. ThisURL: http://www.NewIrishArt.com/GerardDonegan
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