Michael Egan,  Offaly

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Give Me Some Lovin, With The World In Mind
Give Me Some Lovin, With The World In Mind, Oil on canvas., 600 x 450 mm
If Only This Old House Could Talk
If Only This Old House Could Talk, Oil on canvas, 600 x 510 mm
Does Anybody Hear
Does Anybody Hear, Oil on canvas, 610 x510 mm
High In The Mountain
High In The Mountain, Oil on canvas, 600 x 490 mm
We're On The Road
We're On The Road, Oil on canvas, 610 x 500 mm
Stormy Waters?
Stormy Waters?, Oil on Canvas, 285 x 190 mm
A Fleeting Moment
A Fleeting Moment, Oil on canvas, 300 x 240 mm
Beauty and Ben
Beauty and Ben, Oil on canvas, Beauty and Ben
Together
Together, Oil on canvas, 590 x 360
The Old Bog Road
The Old Bog Road, Oil on canvas, 600 x 450 mm
Winter Wondweland
Winter Wondweland, Oil on canvas, 610 x 460 mm
Street Meadow Horses
Street Meadow Horses, Oil on canvas, $40 x 350 mm
Evolution, We Must Move On
Evolution, We Must Move On, Oil on canvas, 550 x 450 mm
And There's No Injustice
And There's No Injustice, Oil on canvas, 600 x 500 mm
Imagine
Imagine, Oil on canvas, 295 x 210 mm
The Old Trees That Creak
The Old Trees That Creak, Oil on canvas, 600 x 450 mm
A Field of Irish Wheat
A Field of Irish Wheat, Oil on canvas, 600 x 500 mm
When First I Saw
When First I Saw, Oil on canvas, 600 x 450 mm
Building Bricks
Building Bricks, Oil on canvas, 600 x 500 mm
November Rain
November Rain, Oil on Canvas, 600 x 500 mm
Shadows and Shade
Shadows and Shade, Oil on canvas, 400 x 300 mm
Mullingar Heifer
Mullingar Heifer, Oil on canvas, 430 x 275 mm
Shadows
Shadows, Oil on canvas, 400 x 300 mm

Michael Egan Art (Download The Catalogue)

When I was in primary school, the headmaster placed as an appropriate backdrop to the two school fish tanks, two seascape paintings which I composed. When I was about 14 years old, I watched on TV an artist paint a fine art picture of some sea birds. I thought his artwork was great, something which I would like to do.

In my younger day I had a great interest in motorsport, which brought me to the British F1 GP on two occasions. While there, I saw prints of paintings by the motorsport artist Michael Turner. I thought his artwork too was great, again, something which I would like to do.

In 1984 I went to Australia, where in 1985 I got some photos from the first Australian F1 GP. From those photos I started to paint my first paintings of GP cars. I also took some art lessons in how to paint landscape. After completing a few paintings featuring GP cars, I decided to do like Michael Turner, take prints from the paintings, while hoping to sell them. The Aussies showed little interest in my artwork, though while in Australia, on commission, I did complete two paintings of cars, Ayrton Senna in his F1 GP Lotus, and a Renault Gordini.

Having long since lost all interest in motorsport, after I returned home in the late nineties, and before I took more of an interest in painting scenes of traditional Ireland, I was frequently having dreams where in the dream, I would be doing something either within or close by a thatched cottage. Between the ages of 4 to 18, I was raised in a thatched cottage. I then started to paint scenes of thatched cottages and traditional Ireland. With that, I stopped having those dreams.

Today I still like to paint scenes of traditional Ireland, along with anything I find tranquil, or else inspiring. Some of my oil paintings are very heavily layered with paint up to 12 mm thick; this perspective to me gives a painting a much more interesting 3D dimension. I have also completed some more paintings on commission since returning home. When at home in Ireland I have lived most of my life in the countryside of north west Co. Offaly four miles from the village of Ballycumber. I do not have an art gallery, though my paintings, along with some prints of my paintings are exhibited here throughout the house.

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